Sea Glass

Today I hand-stitched 252 inches of binding.  My hands are feeling a bit gnarled.  But, I finished the Sea Glass quilt, just in time for the heat wave coming next week.  I slaved myself over the binding for hours today just so that Lesly could see it before she hops a plane to Berlin.

The finished quilt measures 60"x66" and is made entirely of half-square triangles.  I used my tried and true method to get gorgeous half-square triangles.  All you have to do is cut squares 7/8" larger than your finished size, draw a diagonal line from corner to corner, stack, and sew 1/4" from either side of the line.  When you cut it in half, you'll have two perfect half-square triangles!

My inspiration for this project comes from this quilt.  I loved the purple-brown solid she used and the collection of vibrant blues and turquoise prints.  When I saw it I knew immediately that I had to work with that color palette!  I must admit-- I pretty much copied her quilt but I don't feel terribly bad about it.

This quilt is stuffed with bamboo batting, which is soft and silky and easy to sew.  Of course, bamboo fibers also attach to everything, so this quilt is covered in fuzz.  I didn't have any single pieces large enough for this quilt, so I stitched to large scraps together.  You can't even notice in the quilting!

I quilted this in a grid pattern following the seam lines.  The quilting lines are 1/4" from the vertical and horizontal seams, but there is only one line for each seam.  After I quilted the vertical grid, I started having problems with fabric pushing and puckering, so I decided to stop after one set each of horizontal and vertical lines.

I used a green variegated thread (King Tut #923) on top and a yellow 50 wt thread in the bobbin (Wonderfil KT403).  The top thread looks gorgeous and the bobbin thread blends beautifully with the background.  The only problem is that I can see the knots from the top thread on the back.  Anyone know how to solve this problem?

Fabrics used include a bunch of random prints I found at my LQS, some Alexander Henry, some Kaffe Fassett, and two Lantern Bloom prints (Tile Mosaic in turquoise and citron), as well as a beautiful brown Kona cotton.  The quilt is backed with citron Tile Mosaic from the Lantern Bloom collection and bound with the same Kona brown from the front.

Overall, I'd say it's gorgeous.  It definitely has some flaws-- my quilting hasn't reached the quality level that I desire, but that can only change with practice.  As the ladies at the LQS say, "better finished than perfect."  Except my binding is perfect.  For the record.